The George, Dublin, celebrates its 40th birthday: Victoria Secret, Davina Divine, DJ Ruth, Mizza, Phill T Gorgeous, DJ Karen, Conor Behan, Dolly, DJ Stephen Dowling, Veda, and Shirley Temple Bar.
A Dublin nightlife institution is marking four decades not just as a bar and club, but as a sanctuary, a protest space, and a symbol of progress for Ireland’s LGBTQ+ community.
There are anniversaries, and then there are milestones that say something much bigger about a country. The George, celebrating 40 years in business, is one of them.
First established in 1985, with a more official opening in 1986, The George has become one of the most enduring symbols of LGBTQ+ life in Ireland. But this is not simply the story of a late-night venue reaching a birthday. It is the story of a place that opened its doors when Ireland was profoundly different and remained a constant through some of the most important social changes in modern Irish history.
When The George first opened in 1985, homosexual sex was still criminalized in Ireland. That law would not change until 1993. For the people who found their way to South Great George’s Street in those years, stepping inside was not just about going out. It was about finding relief, recognition, and community in a country where silence, shame, and fear still shaped daily life for many LGBTQ+ people.
The George during the 1990s.
Darragh Flynn, general manager of The George, said, “It is important to remember that in Ireland forty years ago, entering The George was a big step. For the first 20 years, all of our patrons had to go through a lot before they even came through our doors. Gay bashings and hate crimes were rampant across the city, and the original patrons of The George faced this daily, before they found sanctuary in us, as their one safe space”.
That is why the venue’s 40th anniversary carries such emotional weight. The George did not merely exist alongside the story of LGBTQ+ Ireland. It helped host it.
Three years before The George opened, the murder of Declan Flynn in Fairview Park became a defining and devastating moment in Irish queer history, helping to galvanize public protest and activism. In 1987, David Norris became the first openly gay person elected to public office in Ireland. In 1993, homosexuality was decriminalized.
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More milestones followed. In 1997, Shirley Temple Bar was crowned Alternative Miss Ireland, marking a defining moment in Irish queer culture. Shortly after, she began hosting her now iconic weekly bingo at The George.
In 2000, the Equal Status Act extended anti-discrimination protections across goods, services, accommodation, and education, including on the grounds of sexual orientation. In 2006, the marriage recognition case brought by Katherine Zappone and Ann Louise Gilligan was heard in the High Court, helping bring marriage equality into mainstream political debate.
The venue has also lived through darker moments. In 2008, The George was subjected to a bomb scare during Pride. The hoax threat disrupted festivities and remains one of the scariest chapters in its history.
Then came a historic year for Ireland. In 2015, Ireland became the first country in the world to approve same-sex marriage by popular vote, by a landslide majority. That same year also saw the enactment of the Gender Recognition Act. Two years later, in 2017, Leo Varadkar became Ireland’s first openly gay Taoiseach.
In every decade of that journey, from criminalization to constitutional change, The George remained the community's gathering place and a witness to history.
Darragh Flynn said, “For many people, The George has never been just a venue. It was the first place they kissed someone they loved in public. The first room where they felt fully seen. The first room, they felt they could let their guard down. The first time they met others like them. The first place they realized they might have a future in Ireland after all.”
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That emotional truth has long defined the venue’s place in Irish life. In reflections on its history, people have described it as “ground zero for Dublin’s gay community”, “the beacon where people go to figure out they’re gay”, and a safe space that mattered especially in an era when the “aura of criminality” shaped so many lives.
For younger generations walking through its doors now, The George represents a different Ireland from the one that existed in 1985. Yet the feeling that has drawn people there for 40 years remains familiar. It is still a place where many arrive hoping to be fully themselves.
Davina Devine, one of The George’s best-known performers and a fixture there for more than 20 years, said, “The George means something different to every person who has ever walked through these doors, but for so many of us it has meant safety, freedom, and belonging. It has been our meeting place, our stage, our escape, our celebration, and, on some nights, the place that held us together.”
Drag queen and singer, Veda Beaux Reves.
She added, “You cannot talk about modern LGBT life in Ireland without talking about The George. It has been there through the difficult years, the joyful years, and the history-making years. It was there when people had to live much more quietly, and it is still here now, full of life, welcoming new generations. That is incredibly powerful.”
Broadcaster and designer Brendan Courtney also reflected on the venue’s impact. He said, “For my generation, The George was never just somewhere to have a drink. It was somewhere you could breathe. Somewhere you could relax your shoulders. Somewhere you could look around and feel less alone.”
“People who are young now are coming into a different Ireland, and thank God for that. But they should know what spaces like The George meant to the people who came before them. They gave people hope. They gave people community. In many cases, they gave people the courage to imagine a life they had been told was not possible.”
As The George marks this milestone year, it is celebrating more than its own history. It is honoring the performers, staff, campaigners, artists, activists, regulars, and first timers who helped make it what it is.