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'I hope this chapter can be closed quickly,' Brosnan says

Irish Hands that Built the Empire State Building

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'I hope this chapter can be closed quickly,' Brosnan says

In 1908, acclaimed photographer Lewis W. Hine snapped a simple portrait titled “Irish Steel Worker.” The aged laborer has a weathered face and sad eyes. A pipe sprouts from his mouth. He sports suspenders, a thick handkerchief in his front pocket and a woolen cap atop his head.

Hine, born in Wisconsin in 1874, would go on to become one of the progressive era’s great photographers. As Jacob Riis did a generation earlier, Hine used the camera as a tool to record social inequities and spur reform.

The same year he snapped the Irish steel worker, Hine also created one of his more famous series of photographs, entitled “Child Labor: Girls in Factories.”

But it was a decade and a half later that Hine would find his true muse.  Hine’s most famous subject was not even a person. It was, instead, the tallest building in the world, a monument to enormity and audacity which just so happened to begin rising as the nation sank into a deep depression.

Construction of the Empire State Building began in March of 1930 on the site of the old Waldorf-Astoria Hotel at 350 Fifth Avenue at 34th Street. It was completed 14 months later in May, 1931. At 102 stories, it was at that time the tallest building in the world. It is presently the third tallest building in America.

Hine’s photographs of construction of the building capture the wonder, romance and artistry of the skyscraper and its builders. Almost as an afterthought, though no less important, the photos also capture a project on which Irish Americans played a central role, from the power brokers who envisioned this unprecedented project to the laborers who got the Empire State Building erected in just over one year. Hine captured the determination of the men who stirred the concrete and stacked the steel. But it’s important to note that Irish-American power brokers also played a key part in the Empire State Building’s rise.

First, there was Al Smith. A child of Manhattan’s Lower East Side, Smith often claimed the only degree he ever earned was an FFM degree, because he had to go to work at the Fulton Fish Market when his father died. Smith emerged from Tammany Hall in an unlikely fashion: without the whiff of corruption. He served as a popular, progressive New York governor in the 1920s, but then made a doomed run for the presidency in 1928.

Smith was the first Catholic candidate to run for the White House, and many in middle America considered him an agent of Rome who hailed from the mongrelized metropolis. The Ku Klux Klan burned crosses on the campaign trail. Even Smith’s opposition to prohibition was seen as deeply unsavory. Add in the fact that the economy was booming and you get the picture. Smith was trounced by Herbert Hoover.

Though it devastated him, Smith did not vanish into obscurity after this loss. He was named president of the Empire State Building Corporation, whose job it was to erect a towering new building on the former site of the Waldorf-Astoria Hotel.

Another important figure in the planning stages of the Empire State Building was John J. Raskob. Raskob’s father was Alsatian, but his mother was Irish Catholic. The self-made man from Lockport, New York first got a job with the Du Pont family in the early 1900s and made enough money to invest in Manhattan real estate just in time for the roaring 1920s.

On August 29, 1929, Raskob, Smith and a group of investors took aim at the biggest real estate investment New York had ever seen: The Empire State Building.

Less than two months after this announcement, the stock market crashed. Raskob, Smith and the other bigwigs who saw dollar signs at the vast corner of 34th Street and Fifth Avenue would have to adjust their vision. The Empire State Building would still go up. The problem? It might turn out to be the biggest real estate boondoggle in American history.
Still, the project was good news for at least one group of people: Irish-American laborers desperate for work. Men like Irish immigrant Michael Briody.

Laborer Michael Briody would probably be forgotten had he not been New York Irish novelist Tom Kelly’s great-uncle. Kelly had heard family stories about his uncle. Briody got mixed up in some shady business, was murdered and buried in the Bronx. Kelly decided to look more deeply not only into his uncle’s past but into the celebrated skyscraper he helped build. The result was his thrilling 2005 novel Empire Rising. Though it is a work of fiction, Empire Rising is a rich, informative look at how the Irish helped build the Empire State Building.

There are no hard statistics about just how many Irish immigrants and Irish Americans helped build the Empire State Building. But it is generally accepted that Irishmen, as well as Scandinavian Americans, were the dominant group at the work site.

One reason for this is because a new wave of Irish immigrants had swept into New York City. As with the Irish immigrants (such as Mike Quill) who founded the Transit Workers Union (TWU) in 1934, more than a handful of Empire State laborers were Irish republicans on the run from the grueling civil war which broke out in Ireland in the 1920s, following the Easter Rising and partition.

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