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Cover photo of "Dialann Deoraí," or "An Irish Navvy – the Diary of an Exile" Photo by: Collins

“Diary of an Exile” the remarkable work of an Irish construction worker in Britain

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Cover photo of "Dialann Deoraí," or "An Irish Navvy – the Diary of an Exile" Photo by: Collins

I’ve been rereading a book I last studied in Irish class back in Dublin, called "Dialann Deoraí,"  or "An Irish Navvy – the Diary of an Exile."
 
Donall Mac Amhlaigh would have been in his twenties when he wrote the diaries that form the basis of "Dialann Deoraí," which cover the years 1951-57.

He was born some years before my parents, but like him and many thousands of others, they left Ireland in the 1950s to work in England. My family later moved back home.

My father never talked a great deal about his work life, so Mac Amhlaigh’s account of his life as an Irish immigrant in Britain held a special interest for me.

"Dialann Deoraí" charts the life of the exile as he bids farewell to family and friends, leaves Kilkenny and takes the ferry to Holyhead in Wales. Fragments of a bitter-sweet story are dealt out along the way, like this poor man asked by customs what’s in his battered suitcase:

“Yerra nothing at all, said my lad with a grin.

“Open it up all the same, said your man.

“Sure it’s hardly worth my while, said the lad.”

Forced to open his bag, the owner “drew out of his pocket a bloody big knife with which he cut the rope around the case. The lid jumped up like a Jack-in-the-Box and out leapt a pair of old Wellington boots that had been twisted up inside it. Devil the thing else was in the case, not even a change of socks.”

On arrival in England, Mac Amhlaigh took up a relatively secure job in a hospital which he had applied for from home, but it was not long before he was lured to work on building sites, as much by the promise of better company as better pay. Many of his friends were working as navvies, and he wanted to be among Irish people for he “did not take to the English.”

Mac Amhlaigh’s enjoyment of his working life is evident and even today his vivid descriptions of it and of the men around him bring the diary to life. A strong sense of humor keeps the book lively. There’s a hilarious scene of the novice Mac Amhlaigh learning to wield a pickaxe, and of a fellow who tricks him into thinking it’s easier to haul sacks of cement than shovel sand.

We see the down-at-heel “digs” or work camps where the men stayed, how they preferred to cook for themselves rather than eat the spam sandwiches their landladies offered, and what they did in their free time.

The poverty that drove these men from Ireland is never far away. They are paid well but many of them party hard, going out after work together to pubs, and dances, and fights, and their money doesn’t last. Mac Amhlaigh went out too, but he did his best to send a few bob home. In the years covered by the diary he always went home for Christmas, and had to start from scratch the following year by finding a new job.

At such times, the Irish network came in useful. He describes one time when he reached a work camp after “a long journey by bus and by train, arriving at nightfall as the snow was coming down,” and was told curtly that there was no work. But when Mac Amhlaigh began to speak Irish the tune changed: “‘Why the hell didn’t you speak Irish to me? Sure I couldn’t know you were one of ourselves.’ And I got my job then with a heart and a half.”

To all intents and purposes the genre the book would best fit into these days is the blog: the book is filled with swiftly painted characters and small everyday incidents, and through the passing years Mac Amhlaigh’s love of the Irish language (Gaelic) remains a key theme.

The Irish class in which I first read "Dialann Deoraí" was one of the rowdiest I was ever in. Our north Dublin school, run by the Sisters of the Infant Jesus, was in turmoil, literally a building site. Men on site whistled at us schoolgirls as we made our way from our prefab classroom to the half-done building in the old sports field.

For my own parents, the return to Ireland cannot have been all plain sailing, for the Dublin they washed up in was very different from the Munster they’d left behind. Donall Mac Amhlaigh never joined this return wave of migration made by many who had left in the ’50s or ’60s.

Perhaps it was simple economics, or perhaps the country had changed too much from the one he’d known to make a return easy. In the diary he passes through Dublin once or twice en route for the ferry, and says, “Isn’t it maddening that I know more about London than I know about Ireland’s first city?” Later there’s a note of envy for those who manage to stay: “Coming into Dun Laoire, I saw men in white clothes playing cricket, and somehow I felt annoyed. A young man and his girl were walking in the golden evening sunlight...It’s well for you, my friend, that every day you arise can be spent in this place.”

In spite of his assertion that the English “make me tired with their strange ways and I want to get away from them” he lived out his years in Northampton — a town one of my uncles also settled in — wielding a shovel by day and a pen by night.

And across the water in the old country he thought of so often, we schoolchildren unravelled his words. Reluctantly, it has to be said, for Irish was neither the most popular lesson nor the most disciplined. When Sister Perpetua arrived to teach us the science lab went deadly silent, but our Irish teacher valued talk too highly to ever force a silence on us the way she did. On the contrary, he was on a mission to bring a touch of democracy to the classroom, and when he arrived he would greet us one by one, making eye contact with all who acknowledged his existence. Poor Mr Murphy was often left standing awhile, waiting for the noisier groups to stop “messing.” He was waiting for something bigger than silence: he was waiting for the whole class to take an interest in his subject. But his attempts at classroom democracy had their limits, since no one in that prefab had chosen to learn the Irish language. Like it or not, it was compulsory.

And so in this hot, sweaty, girl-filled room we read aloud from Donall Mac Amhlaigh’s very masculine tale of the life of an Irish navvy. While the summer heat threatened to melt the joins on our prefab we worked our way through it line by line, struggling with the odd word and with phrases new to us, and with the last chapter in which a hint of sorrow creeps in as our exile readies himself for the road after a short Easter trip home. “I found the time trying when I was hanging around waiting to leave the house,” Mac Amhlaigh says near the end. And to be honest we did too, and were glad to be shut of the book and to run out in the sunshine when the bell went.

But "Dialann Deoraí" is a book I would remember long after it was slammed shut and passed on to my younger brothers to be graffitied with the names of their favourite bands. I am not alone, for the Collins Press says "An Irish Navvy" has not been out of print in the five decades since it was translated. And the Béarla’s not bad — it’s very much English as spoken by the Irish people of the time, so it reads Irish well still.

Paperback editions can be bought online and posted anywhere in the world:  in Irish from Litríocht (€15), and in English from the Collins Press (€7.99) and. An ebook in English is also available from the usual ebook vendors.

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