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“Garage and fifties rock ‘n’ roll, country, gospel, soul, punk, folk... Johnny Cash, the Pogues, the Dubliners, Townes Van Zandt, Bob Dylan, the Soft Boys, Nick Cave, Scott Walker, Bruce Springsteen, the Libertines, Elvis Costello, Lee Hazelwood, Gram Parsons, the Clash and Tom Waits” are just some of the influences the Mighty Stef lists on his MySpace page, and miraculously, they all make it into the music on 100 Midnights.
The end result of these textures is the creation of one of the most original voices that makes 100 Midnights such an amazing ride.
The Mighty Stef is a singer and songwriter from Dublin who has been celebrated in the U.K. press for the storytelling in his songs and for his passionate live shows.
His vocals are a sensually hoarse baritone coaxed out of a dark corner of some pub with temptations of whiskey, cigarettes, and pleasures of the flesh, themes that run through the offbeat songs on 100 Midnights.
“Tonight we must walk/tonight we must run/tonight we must lay down the remainders of our lives for the hound dogs of live/please trust me my darling/I will deliver for you/tonight won’t be ruled/won’t be schooled/won’t be swept to the side,” Stef sings on “Hound Dogs of Love,” a classic slice of garage band pie.
He slithers like a lizard around a lover on “Come Over to the Dark Side” in a way not heard since Jim Morrison prowled around a microphone.
“A lot of people say Jim Morrison when they hear my voice,” Stef says. “I listened to the Doors a lot as a kid when I was trying to discover my singing voice, so the lizard king must have had some baring on my formative years. My favorite Doors song is ‘Wintertime Love.’ he sings so beautifully on that.”
“You can stick that needle in that last responsive needle/but don’t let it steal the sunshine from your eyes,” sings Stef during “Sunshine Serenade,” a dustbowl ditty with drug references that make it a country cousin to the Rolling Stones’ “Dead Flowers.”
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