Gaelic Girl Alisa


Gaelic Girl Alisa
Gaelic Girl Alisa by Gaelic Girl Alisa

Hunting down traditional music in Ireland – radio waves filled with Lady Gaga and Jedward

Posted on Saturday, November 26, 2011 at 05:09 AM

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In coming to Ireland I had hoped to encounter more local made music than I have had the opportunity to in the states. There are plenty of resources back home for finding more popular Irish or super-groups (which often form in, come out of or live in America) but there is little one can find of the local artists of Ireland in the States. Having been here before, I was aware this wasn’t the easiest task. But, I expected to find an easier time of it than I had previously, since I would be living here in Cork which is said to be the “Culture Capital of Ireland."

While local gigs and sessions are somewhat easy to find, these musicians do not always consider themselves "serious" and often perform largely covers. I had really hoped to find original work and so turned to the radio. I had hoped that Irish radio would be somewhat different than back home. I rarely listen to radio in the states because I find little pleasure in the standard top 40 hits of various decades being played over and over again, until the next fad comes along.
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That’s not say I dislike all songs on the radio. But I certainly had hoped to find more variety here but found instead the standard Lady Gaga, Ke$ha, Taylor Swift and so on. Granted, Ireland does have its own pop radio sensation that seems to have taken over a good portion of the nations attention (largely in the population of young girls) in Jedward, whom I personally am not fond of at all. Aside from this and some U2 and Thin Lizzy, I heard little Irish-made music being broadcasted. I was disappointed. I wanted to experience more of what was going on creatively in Ireland through an easy to access resource such as the radio.

I later learned the disappointing reason for this lack of Irish-made music though. Ireland radio stations are only required to play three percent of Irish-produced music and the stipulations for “Irish-produced” are thin. Any album produced, recorded or engineered in Ireland falls within those guidelines, which means stations can use more popular bands that have happened to have work done here in Ireland. I find this sad and oppressive to the Irish Musician. If they can’t break their act in Ireland, where can they? Sadly, that answer I have already seen the result of in my own Irish musician friends who immigrated to America to find more success. And it perhaps was not their skill, though they are all wildly talented and gifted musicians, but the novelty of their background that makes them a successful commodity.

I have, in fact, had much the same experience here with my own music. While I am aware I am gifted and have strong, unique voice, people tend to be more interested in the fact that I am an American playing and writing in the Traditional style (not exclusively, but often). I myself appeared on the local Cork 100.5 FM radio as a guest performer to be interviewed on my recently being awarded in Cork Folk Festival’s Deaglan Tallon Traditional Songwriter’s Competition for my original composition, “Arthur O’Leary.” While the song is well crafted and is written very strictly in the traditional style, it seemed to be of more interest that I was from California and performing all the way over here in Ireland.

It made me curious if this three percent stipulation was built around the interests of the people or if the interests of the people are created by this stipulation. If radio stations here were to begin playing more Irish-made music, would it be received with as much excitement when it lacks an "exotic" novelty? There are petitions to change this percentage, as it is a shockingly low requirement compared to other countries through out the world. And, it is a possibility that this petition could create serious change in the way Ireland experiences music and therein how musicians experience success. Perhaps, if Irish acts can break-free in their own country, the world will begin to hear more of the great musicians that struggle to make their way here. While it is a possibility that the lack of foreign novelty and "glamour" may turn the public off, none of us will know what is possible until we try.

I appreciate my opportunity to perform on local Cork FM’s radio during my stay here in Ireland that I might share my music. I hope that more local musicians will have that same opportunity I have had. The grass should never be greener on the other side, we should be cultivating opportunity and "green grasses" in our own respective communities.


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At the moment the following are examples of TV programs on traditional Irish music: RTÉ shows ´Come West Along The Road’, a program that discusses and shows traditional Irish music during a prime time slot; TG4 shows ‘Amhráin is Ansa Liom’, each show features a sean-nós singer who talks about the songs that have captured his/her imagination and their local heritage of song. RTÉ also recently showed a three part series called ‘Ó Bhéal Go Béal’ which dealt with our oral tradition of music, myth, song, and story. As regards the radio: ‘Céilí House’ presented by Kieran Hanrahan is is a very popular Trad show on RTÉ Radio 1; then there is ‘Lán a' Mhála’ on Raidió na Gaeltachta –indeed RnaG is a good place to start. Others include: Clare FM Radio’s ‘Coisle an Cheoil‘ -one of the foremost promoters of Traditional Irish music broadcasting in Ireland today. I could go on but the point is there is plenty of Trad on the radio, so perhaps you need to start turning the dial of your wireless. Furthermore, consider the work of the Taisce Cheol Dúchais Éireann, the Irish Traditional Music Archive, etc; consider the Scór competitions held up and down the country and other traditional music competitions for young people. Outside of that there is the Cork County Fleadh festival, which is held around May; last year it was held in Dunmanway and brought about 1500 traditional music competitors to the town. The Fleadh Cheoil is comprised of competitions in music, singing, dancing and storytelling, in which anybody can enter. Then there is Féile Átha Dá Chab or the Ballydehob Irish Traditional Music Festival, Cork. There is also the Cork South West Music and Arts Festival etc.
One thing is though folk singers and groups are still very popular in Ireland, even amongst young people. Groups like the Wolfe Tones, Dubliners and singers such as Christy Moore are very popular. Trad is great, you just need to know where to go and you’ll always find a good session.
I, too was very disappointed at the lack of trad, both in the pubs and on the airwaves. Pub-to-pub in the villages of Western Clare is one sad American-pop imitator after another! But, I was able to stock up on a huge variety of CDs of really fine traditional music which I would never have found in the US. And in you are in Cork, you MUST visit an Spailpin Fanach!
Hang on. Your logic seems flawed in relation to the three-percent stipulation. That is the minimum amount the stations can play. Beyond that, they can play as much as they like. If the public demanded more then the stations would play more. I can only imagine the uproar in America if commercial stations had their programming dictated by federal statute. Which other countries require their radio stations to play a higher amount of locally recorded material? Tell me, so I can make sure never to visit their nanny states.
we found the same phenomenon when we were on honeymoon in 1994, all there was to hear on the radio was either American popular rock and American popular country. (in fact, Garth Brooks had just completed a tour the week before and everyone was still mad about him!) And, from my long-distance love affair with my ancestral home, I have noticed a resurgence in interest among on-line Irish residents in tradition, from music to language. - Now if Ireland would just get out of the stinkin' European Union, perhaps things could get back to Ireland for the Irish.
Alisa: Good article. There's a lot of things folks who live a few months in Ireland learn, things that your standard US tourist on a week-long CIE tour won't notice. And one of these is that Ireland is now pretty abandoning its ancient culture. The language is nearly dead, despite what fools like kinvara and other posters on this site will tell you. The music is not strong either, despite what the Irish Tourist Board puts in its dishonest advertizing. In fact just a week or two back a survey of English tourists showed that most English are no longer interested in visiting Ireland, because they consider it too much like Britain!
My b/f is a musician and he plays most Irish music and we both still are writing Irish music. When he gigs and there are Americans there he tries to do 80% Irish songs. But you get the oddball come up and ask for a 70's or 80's song not Irish related. he tells them to go back to America to listen to them your in Ireland. lol one of my songs called My Ireland is on you tube . Just type in My Ireland original , there is one w/ me singing it and one w/ my b/f singing it. As for GAGAG ,she to me is not what I call entertaining unless you want to go to a freak show.
Go to West Cork ..... Clonakilty ....... problem solved.
Not much different in the U.S. where you don't hear much bluegrass on the radio or most any other regional traditional American music. Again, you hear most of that stuff on NY radio.
You're right -- I still contend there was more Irish music (trad and otherwise) in New York radio than here in Ireland. Although there seems to be a renaissance in trad being cool of late, by and large the Irish population in general (and particularly the under 25s) are much more into the pop stars such as Lady Gaga as you state. Sad, sad, sad. Leitrim's annual Joe Mooney Summer School of Traditional Music attracts students from all over the world to learn, play and share Irish music but nearly 50% of the attendees are 'foreigners'. Having said that, there are a couple of Irish music stations available on radio, almost exclusively in the Irish language, but it's great they are functioning.
 




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