roots


The first ever color photographs of Ireland taken by two French women in 1913 - PHOTOS

Historic photos show Galway girls and boys on the river Boyne


Two fishermen with a young boy, Spideal, County Galway, May 1913
Two fishermen with a young boy, Spideal, County Galway, May 1913
Photo by Marguerite Mespoulet and Madeleine Mignon-Alba

Guinness PubFinder Ad

PHOTOS - The first ever color photographs of Ireland taken in 1913 - a slideshow

Irish blog An t-Oilean, which is Irish for “island”, has posted some of the first color photographs of Ireland.

The photographs were taken by French women Marguerite Mespoulet and Madeleine Mignon-Alba who visited Ireland in 1913 as part of a world wide project titled “the Archives of the Planet.” 

French banker and philanthropist Albert Kahn created the project to compose a “kind of photographic inventory of the surface of the earth as it was occupied and organized by Man at the beginning of the 20th century.” His project captured some of the first color photographs taken in Ireland, the United States, Norway, Vietnam, and Brazil.

In 1931 Kahn was forced to abandon his project due to dwindling finances after he lost a fortune in the 1929 stock market crash. By then photographers had photographed World War I and taken 72,000 photographs from more than 50 countries. 

Mespoulet and Mignon-Alba traveled throughout Connemara, an area which is today recognized as the Gaeltacht, or native Irish speaking region, and the Boyne Valley located in the North-east. They took photographs of everyday life showing women weaving and men building coracles, a type of small fishing boat. They also took photographs of historic sites such as Clonmacnoise and the round tower at Glendalough, which are still popular tourist destinations today.

Black and white photography had been around for decades, but color photography was cutting edge technology in the beginning of the twentieth century. The women, who were novice photographers, used this new technology developed by French inventors called autochrome color plates. Autochrome technology uses a glass plate coated with potato starch dyed red-orange, green, and blue-violet. The red of Galway girl Main Ni Tuathail’s traditional cloak is particularly striking in a couple photographs from Connemara. 

Dr. Gilles Baud-Berthier, Director of the Musee Albert Kahn said on the museum’s website about the photographs, “There were not works of reportage or ethnography, nor an attempt to produce works of art. The aim was simply to record human beings in all their diversity, living humble lives worthy of respect. And from this respect would, Kahn hoped, arise the universal peace to which he aspired.” 

PHOTOS - The first ever color photographs of Ireland taken in 1913 - a slideshow

Several of Mespoulet and Mignon-Alba’s photographs depict thatched roofed homes in Claddagh, Galway. The houses were a typical home of Irish peasantry in the eighteenth and nineteenth centuries. Claddagh comes from the Irish “cladch” which means shore. Claddagh was a fishing community and its residents lived separately from Galway City. Claddagh residents retained their Gaelic customs, dress, and language in the 1930s, when most of the Irish island had modernized.

Much of Ireland had lost the Irish language after the Great Hunger in the middle of the nineteenth century. The houses shown in the photographs were sadly razed in 1935 and a council housing scheme replaced them. Mespoulet and Mignon-Alba’s photographs helped capture an old Gaelic culture that was slowly disappearing. 

The women’s photographs show the peaceful rural towns of the island on the eve of the first World War. They did not visit Dublin or Belfast. Both cities had been more industrialized than the rest of the island by the beginning of the twentieth century. Belfast had a flourishing shipyard industry that had built the Titanic a year before Mespoulet and Mignon-Alba’s visit. James Joyce’s collection of short stories, Dubliners, depicting a variety of characters in the hussle and bussle of Ireland’s capital, was published the year after their visit. Had they visited these eastern cities, they would have seen a very different side of Ireland. 

Many of Albert Kahn’s photographs, including photographs of Ireland, are printed in The Wonderful World of Albert Kahn: Color Photographs from a Lost Age by David Okuefuna. Kahn’s color photographs are currently housed in the Musee Albert-Kahn just outside of Paris.

PHOTOS - The first ever color photographs of Ireland taken in 1913 - a slideshow


Nster.com


6 Comments

See all comments

Nice photos but they are not the first colour photographs taken in Ireland. An Irish scientist, John Joly invented one of the earliest methods of colour photography; later known as the Joly Colour Process which he patented in the late 1800s and sold commercially for a few years. The National Library's Photographic archive has a large collection of his colour slides. They are mainly of botanical subjects. Christopher Morash's, A History of the Media in Ireland, published by Cambridge University Press, apparently contains one of his pictures and states that: "One of the earliest practical processes for producing colour photographs was developed in Dublin in 1892 by Professor John Joly of Trinity College. Interestingly, he chose an image that was iconic of tradition – an Irish peasant girl – to demonstrate the process in the pages of the Transactions of the Royal Irish Academy. Courtesy of the Royal Irish Academy."
I'm told by relatives in Ireland that only the well-off can now afford to have thatched cottages. Putting on such a roof requires highly paid skilled labor, often brought in from a distance. And the maintenance costs are high too. Times change. In New England lobster used to be a food strictly for the poor.
Great article. I love the photos too. Thanks to the writer Michelle Smith for explaining the meaning of the Claddagh. @ Eiriamach, I agree it would be fascinating to visit these sites to see the contrast.
A landlord would have had a horse.
A very informative article, thanks! The slideshow is wonderful, with the photo of Main Ni Tuathail a beautiful high point. It would be fascinating to compare the ruins of Mellifont in that era with the Mellifont of today, or other areas photographed during this project with the same areas as they are today.
Two wealthy landlords no doubt. They have shoes.
 




Log into IrishCentral with your Facebook account


or sign-in directly

E-Mail:
Password:
 Remember me Forgot my password
Not a member? Register Now!
print this article Print
email this articleE-mail