It's been four years since Irish folk legend Damien Dempsey graced the U.S. with a tour. Despite the runaway success of his new album Almighty Love overseas, is he worried about facing an audience that may have forgotten him on this side of the Atlantic?
“I’m just gonna play my heart out,” he says, unconcerned about things like rebuilding an audience.
“I have so much to say and I plan on telling them the new stories I have, the places I’ve been, that kind of thing. I also think I am a better player than I was the last time I was out there.” Of course, Dempsey is a brilliant storyteller, as the songs from his outstanding new album attest.
My favorite track on the disc is “Canadian Geese.” In the lyrics, he recounts his boyhood memories of following the train tracks near his house as far as his imagination could take him. The migratory birds could just as well be a reference to an Irish immigrant’s dreams of a better life elsewhere when he sings, “in my mind I up and join them and we glide out of Ireland’s eye.”
Dempsey has been telling stories about Irish life since he broke out with Seize the Day in 2004. Back then Ireland was flush with cash and feeding raw meat to the Celtic Tiger economy. At the time, Dempsey seemed to be the only one railing against the greedy bloodlust all around him.
“Count your blessings that you have enough bread/your belly full and you have a roof over your head/don’t go forgetting how lucky you are/what is it we are always wanting more/until greed consumes us and we’re rotten to the core?” he sang on “Cursed With a Brain” from the 2005 album Shots.
Now, of course, the Celtic Tiger has bared fangs and claws as it bites people on the bottom for a decade of greed.
“I got a lot of grief for writing those words back then,” Damo reflects. “I got terrible flack for it. ‘What the hell is wrong with you? We’re finally getting on our feet and you’re singing these songs to knock us down?’
“But I smelled a rat. They were losing the community spirit and hospitality. Who has the bigger house and car became a competition driving people.
“Meanwhile, the hospitals were in ruins and the school system was in chaos. Where was that money going? It finally has collapsed. I think that makes the community spirit come back now that we’re struggling again.”
Was there a temptation to rub it in everyone’s faces, I ask?
“You don’t want to rub it in,” he replies. “I think people were thinking I would make a follow-up album that said something like ‘I told you so,’ but that would have been too predictable and no one would want to hear music like that.
“That said, there are people that never even got loans that are shouldering that crushing national debt today, and senior citizens that did nothing to cause this are currently suffering in the crisis as they get their benefits cut left and right. So, there is plenty to write about for the future albums.”
Damo reports that he is always writing songs, with many of them political in nature.
“I was going to do a whole album of banks and government, but I said it all before,” he says. “People would put you in a box. ‘Oh, he was giving out.’ Fat cats and billionaire German bankers will always be around, so there’s no hurry getting songs like that out.”
A household name in Ireland, Dempsey has topped the Irish charts twice in the past year with his singles “Rocky Road to Poland” (an Irish soccer World cup anthem) and “The Auld Triangle” (a charity single with Glen Hansard).
Dempsey has been gratified by the response to his tour so far, with strong ticket sales. Apparently, U.S. fans haven’t forgotten the searing live performances this former boxer is capable of.
“I am playing bigger rooms this time around, like the famed Bowery Ballroom and that has been gratifying to have that level of interest still be there,” he says.
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