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Mr. Bono, tear down that column about the Berlin Wall!

The multi-talented U2 star should abandon 'journalism' and stick to his day job



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U2 concert row: U2 are in there somewhere - fury as band blocked off by 'Berlin Wall'
U2 is in there somewhere, but fans were blocked by 'Berlin wall'

Bono is a wonderful musician and a great world citizen — but can anyone really make any sense of his latest column in the Sunday New York Times?

It appears to be some kind of a quasi-dream sequence, in which Bono has become a filmmaker examining his own life from the outside.

It's all about the fall of the Berlin Wall and its impact on this "singer," who is of course Bono. He even catches himself writing about
himself in the third person — but I don't know if it works. It all gets kind of weird.

The scene begins when he and his band were apparently living in a house in Berlin at one point . The home was owned by a West German citizen when the wall came down, and he came back to reclaim it — except the U2 boys were there — I think.

Hmm. Then we move  onto the creation of the song "One," one of U2's greatest hits. It also apparently occurred in Berlin when the band was in their late twenties and about to break up because of overwhelming egos on all sides. The "musician" and Edge, whose first marriage was going off the rails, were trying to write the song that eventually became "One," 'and which is as much about the band hanging together through a difficult period than any world anthem.

This is the most-coherent part of the piece, and insightful about the probelms the band was going through as they struggled with incredible fame and success.

Then we switch to a conversation between the "singer" and German Chancellor Angela Merkel, in which the "singer" is incredibly impressed by words that are spoken to him by Merkel.

"My father taught me a very important lesson when I was a girl growing up in East Germany. He said, 'Always be more than you appear and never appear to be more than you are.'"

This is profound? Bono thinks so. He writes "Camera closes in on the 'singer’s' eyes. The black has devoured the blue. He is a flyweight in the ring with Muhammad Ali. He didn’t even see it coming. She has just summed up his entire life in the reverse of her personal proverb."

She has?

The final scene has the "singer" with filmmaker Wim Wenders after a recent concert. They talk about the meaning of life and all that guff.

Then the end.

What to make of it?

Bono is a musical genius, an incredible poet of the age, whose music has rocked the world for a generation now. As a columnist for The
Times however, his stuff can appear trite, self-serving, and above all, trying too hard to be "significant." Without  all the rock band stuff
in the background, it does not impress in the same way.



6 Comments

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U who?
It's a beautiful day all right and stuck in a moment and you can't get out of it
Bono and Sarah Palin. Made for each other. Neither one makes any sense. The New York Times has got to be looking for the young people. This last piece of crap is pure drivel and suitable only for the jacks. I think Bono ought to get Palin to go on stage like one of those babes from one of those Robert Palmer videos except that he can't carry Robert Palmer's microphone. What kind of an ego could put this most recent crap on the op/ed page of the Times? He thinks this is good? Stick to "It's a beautiful day...".
Bono is a legend in his own mind..............
insufferable remorseless malignant narcissist extremely cold unfeeling and devastatingly harmful to the help
I remember Bono well in his young days in Dublin’S Baggot Street's Baggot Inn... the way he used to strut himself up and down the wee stage and our Dublin streets too. One of my best friends knew Bono in their shared school classes and schoolrooms. My friend later told me not a few years ago that Bono had a young lad employed to be constantly close to him, 24 hours of the day, on call to be there for when Bono woke up “out of a dream” or something like that, with a few musical notes and/or lyrics in his head, to be written down and sampled at some future studio recording session. The young fella was handsomely paid for his lack of sleep. Apparently, Bono considered himself to be a person who had a message for the world out of his dreams. Kudos to the 24-hr on-call young lad who wrote down Bono’s dream thoughts. Maybe the down-turn in financial returns is so bad that it has Bono working for himself on the NY Times sheets, instead of continuing to employ young people writing down his trivia. Great on U2’s music btw. Words? Me oul’ ma used to say “sticks and stones may break my bones but words will never hurt me”. Bono’s dream words are heading for extinction. The same way as his 24hr on-call young fella went. Into madness?? The NY Times is already mad, we all supervisors of media expunctions know that.
 


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