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Paul Keating



PAUL KEATING

Celtic Colours International Festival salutes the Great Jerry Holland


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Cape Breton artists in tribute concert to Jerry Holland: David MacIssac, Howie McDonald, Paul McDonald and Dougie McDonald
Cape Breton artists in tribute concert to Jerry Holland: David MacIssac, Howie McDonald, Paul McDonald and Dougie McDonald
Photo by www.murdocksmith.com

Cape Breton, Nova Scotia – The Big Fiddle stands guard over Sydney Harbor at the entrance to the Joan Harriss Cruise Pavilion signaling the importance of the violin to Cape Breton culture. 

Inside the pavilion are the premier concerts bookending the Celtic Colours International Festival (www.celtic-colours.com) on the opening and closing weekend of the nine-day affair held each autumn for the past 13 years. 

Last Saturday evening this year’s fest appropriately closed with a very special show, “Master Cape Breton Fiddler: A Tribute to Jerry Holland,” who lost his valiant battle with cancer last July at the age of 54 but not before firmly establishing himself as one very big fiddle player in the realm of Celtic music.

Originally this tribute and the festival were hopeful that Jerry would be participating in it himself. Alas that wasn’t possible, so it was left to his many musical friends whom he shared so much with since moving to Cape Breton in 1975 from his Massachusetts home to proclaim his extraordinary contributions to putting Cape Breton on the well-deserved map of Celtic music. 

An empty chair with Holland’s fiddle graced the stage symbolically inspiring all the musicians to continue to keep his memory alive through the music.

And that they did in an exceptional night featuring a multi-media mix of old photos, video and film, plus live camera shots of the musicians performing on stage to provide a more intimate connection with the 1300 people gathered in the huge exhibition hall.  

Tinged with sadness and heartfelt remarks throughout the evening as pictures were displayed, it was more celebratory in the Irish wake mode because the music couldn’t do anything else but capture the spirit of the man and the others who performed on the night. 

The show was ably conducted by joint emcees, Paul Cranford (Cape Breton) and Maire O’Keefe (Tralee, Co. Kerry) as not only long-time friends with Jerry Holland but this year’s artists in residence at the festival which featured Irish artists in particular (more on that in a future column).  

Also playing an important role was festival artistic director Joella Foulds behind the scenes who guided the production weaving musical performances between an informal question and answer role carried out on stage by O’Keeffe.   This ensured that the much-anticipated show would flow along and provide an insight into the man and his character as well as the obvious entertainment value.

In varying combinations all night were some of the Cape Breton legendary luminaries who where associated with Holland over the years.  It would include fiddlers Howie and Dougie MacDonald, David MacIssac, Brenda Stubbert, P.J. Cormier, Doug Lamey (from Boston and grandson of Bill Lamey who inspired the young Jerry Holland in Boston), Cranford and O’Keeffe.

Paul MacDonald did much of the guitar accompanying, though Dave MacIssac and P. J. Cormier took turns as well.  The all-important piano in Cape Breton music was handled by three of the finest keyboard players around in Marion and Allan Dewar and Hilda-Chiasson-Cormier.



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