What will become of Bono's 'Spider-Man: Turn Off the Dark'?

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'Spider Man' will close until June

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It’s hard to know where to start when it comes to untangling the great big web of a mess known as Spider-Man: Turn Off the Dark on Broadway.

As regular readers of “Page 2” will remember, we raved about the show a few weeks back after taking in a preview performance.  We loved the visually stunning staging, the high-flying aerial acrobatics – which were perfectly executed during the show we saw – the music composed by Bono and The Edge of U2, and, yes, even besieged writer/director Julie Taymor’s storytelling.

But, apparently, we stood pretty much alone with Fox News pundit Glenn Beck in thinking that the musical was a thrill not to be missed.  Since that Saturday afternoon in January Spidey has been stamped on and critically brutalized like no other show in the history of Broadway, and once again another opening date of March 15 has come and gone.

The relentless stream of bad press has crested into a wave of unfortunate developments for the show.  The producers who sunk an astounding $70 million into the production thus far announced that Spider-Man will close next month for a few weeks to undergo a major surgical procedure, with some reports claiming that they’re ready to tear it apart from top to bottom, with a new director and scriptwriter already on board.

Taymor is Broadway roadkill who’s apparently threatening legal action to protect her creative and financial rights.  And Bono and Edge reportedly are less than thrilled with her finished product.
Our two cents aren’t worth much considering the millions that have been poured into the show since it was first conceived by Bono, Edge and Taymor back in 2005, but we’ll give an opinion anyway.

In firing Taymor and ripping up the existing show in favor of  . . . well, God knows what, with yet another new opening date of June 14, the producers have essentially thrown the baby out with the bathwater and sadly succumbed to the media snipers who had their knives well and truly sharpened way before Spidey came anywhere near its Foxwoods Theater home on 42nd Street.

Didn’t you realize that Bono and Edge had some nerve thinking they could be the new musical kings of Broadway?  What would they know about mass market entertainment, besides the fact that they’ve sold millions of albums, toured the world for years and have won dozens of awards and accolades?
As for Taymor, the visionary who hit the jackpot for Disney with The Lion King, which is still running strong on Broadway after 13 years (she won two Tony Awards for the show as well) – she may know how to make things look grand on stage, but she has no idea how to tell a story, does not know what the word “no” means . . . and she’ll burn through a whole pile of money -- as long as it’s not her cash, of course.

The bad word of mouth and relentless gossip combined to kill Spider-Man in its present form, of that there is no doubt.

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