|Irish dance ghillie iPod Touch cozy
By Caitlin Buck Feis America LLC contributor
Remember in "The Lion King" how the hyenas flinch whenever someone nearby uttered Mufasa? I'm a competitive Irish dancer who started when I was 18. I have a flinch word too. Mine is... timing.
I had done high kick and jazz on my high school dance team so I was used to learning routines to 8 counts. I did pretty well competing in Irish dance until I got into Novice. In Novice, the dances were no longer taught count-by-count like in Beginner. There was no jump 2,3,4,5,6,7 over-one 2 point hop back... There were just movements taught and the dancers had to assemble the movements to music themselves. I began to struggle with timing. BIG time.
|"Listen. Listen to the music."|
A friend confessed that when she started Irish dancing at 15 she thought if she started with the music and ended when the music did she was golden. When we would step up to dance our teacher would meaningfully tap his ear. Listen. Listen to the music. But something would happen after the 5,6, and here you go! It is like my brain would disconnect with the music much like a train might disconnect with railroad ties. Not having counts or words cues to stay with the music, I inadvertently focused solely on my steps.
"You were behind from the beginning."
"You were 2 bars ahead the whole time."
Timing. Timing. Timing. My marks were always the same. Timing. Nothing else... but that one word. If it said turn out, flexibility, higher jumps, move more in the steps - those are all understandable corrections. The word timing does NOT pinpoint a problem that is easily fixed. It does not explain when or where a dancer gets off time or whether the problem lies in that they aren’t fully completing a step or if they are adding unnecessary steps. It is in short... not helpful.
|Mikela Milozzi trying on hard shoes.
Photo: Bodhran Irish Dancers
So many dancers seem to have the gift of musicality. Like being born with blue eyes, they were born to put steps to music easy as breathing.
Timing. I would go home and put music on and listen as hard as possible. I would perform the dance with my hands and within my head visualize the steps. And I could see it. Then I would dance and be able to hear myself getting behind or speeding ahead. I loved Irish dancing, but I was beginning to feel like the world’s most rotten dancer.
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